中国传统人文美学作为一种文化遗传因素，深深融入到现代生活的各个领域。它作为社会整合的精神遗产，一直有着独到的韧性及底蕴。其中榫卯结构作为东方传统家具与建筑的标志，不仅是连接交错的形态美学，更是古代匠人将材料工艺与形态达成统一的一种设计哲学。从建筑到室内再到家具，某个程度上承载着每个时代匠人们的情感上的寄托与追求，我们敬重这片土地，伴随着的藏于心底的归属感与传统文化情怀。

缦夏-上下系列产品取自传统构成元素，结合现代造型演绎东方传统建筑美学，结构部分的纵与横通过现代加工工艺，展现了独特的东方文化气质，也完成了与时代设计美学的巧妙融合。

As a cultural genetic factor, Chinese traditional humanistic aesthetics is deeply integrated into all areas of modern life. As a spiritual heritage of social integration, it has always had unique resilience and heritage. Among them, the tenon-and-mortise structure, as a symbol of oriental traditional furniture and architecture, is not only a form of aesthetics that connects and interlaces, but also a design philosophy that ancient craftsmen unified materials and forms. From architecture to interior to furniture, to a certain extent, it carries the emotional sustenance and pursuit of craftsmen in each era. We respect this land, accompanied by the sense of belonging and traditional cultural feelings hidden in our hearts.

NOVAMANER-upper and lower series products are taken from traditional constituent elements, combined with modern modeling to interpret the traditional oriental architectural aesthetics. The vertical and horizontal structure of the structural parts are displayed through modern processing techniques to show the unique oriental cultural temperament, and also complete the ingenious integration with the design aesthetics of the times.